For Immediate Release
“House Concert” Festival connects music fans with up-close-and-personal performances around Tampa Bay.
The 8th Annual Listening Room Festival features two dozen living room concerts around the Tampa Bay area.
Six international contest winners will play the 24 scheduled house concerts, as well as the Main Showcase (March 29th) at the Palladium Theater in St. Petersburg. This year’s artists are Matthew Fowler, Five Letter Word, Madison Violet, Rissi Palmer, Birch Pereira, and CeCe Teneal & Soul Kamotion. Reserved seats are available ($28, $75 VIP) at the festival website http://www.ListeningRoomFestival.com
House concerts, the core of the festival, stem from a tradition that is hundreds of years old, but has seen a resurgence in the past few decades. Music fans volunteer to host living room concerts, and invite friends to attend an up-close-and-personal show by a professional touring artist. Attendees are asked to make a suggested donation of $15-20 per person directly to the performers.
Living room and backyard shows will take place in the following cities:
- St. Petersburg (11 shows)
- Clearwater (4)
- Tampa (3)
- Tarpon Springs (2)
- Safety Harbor
- Bellair Bluffs
2019 Festival Schedule
- March 27-31 — house concerts around the bay area.
- Friday, March 29 — LRFest Showcase at the Palladium Theater, 7:30pm start.
Festival registrants can be notified of house concerts all year round via a free fan membership to Listening Room Network. More information and tickets are available through ListeningRoomFestival.com.
About the Listening Room Network:
Listening Room Network (LRN) creates and nurtures opportunities that pay artists to perform in a listening environment while bringing communities together with a renewed passion for live music.
Fran Snyder 727-280-6208, email@example.com
HighRes Press photos: Office Concerts, House Concerts, Fran Snyder, and Festival Finale.
Once in a while, we get a report that a house concert has had trouble with zoning violations. Zoning laws can cite various reasons why a house concert could be in violation – parking, noise, and commercial activity are the most common.
In the case of Crib Concerts, the complaint is about “Indoor Entertainment,” and specifically because it has been deemed a commercial activity by the local zoning Community Inspector. Unfortunately for Chris Devine, he lives and operates his concerts in a redevelopment district of Herndon that has even more restrictions than the city on property use.
The host is appealing to the city, and we have to give serious kudos to him for honoring the next 5 booked concerts. Since the issue will take months to resolve, Chris created a GoFundMe to cover the cost of the fines. That’s a fine example of commitment to artists, and engaging your community to rally for your cause.
One has to wonder how the complaint originated, but my money is always on someone like this guy.
I’m guessing Mr. Morningwood has never been to a house concert. What do you think?
House concerts need to be privately promoted. LRN provides exactly that.
Although we offer public listings for public venues, LRN has been rebuilt to enable better privacy for house concerts. Since house concerts typically take place in residences, it is important (for legal, safety, zoning, and insurance reasons) that they be private.
Previously, as we also did at ConcertsInYourHome, we offered the public the opportunity to “introduce themselves” to our hosts via our event calendars. This was to encourage conversation and connection instead of automatic, impersonal confirmations. We found that busy hosts found it tempting to just say “yes, please join us, here’s my address!”
Despite very few bad experiences, we know that casually inviting a lot of strangers into your home isn’t safe practice. We also know that getting to know your audience can provide great new friendships and opportunities.
You might think that our increased privacy would be detrimental to the promotion of house concerts, but here’s a surprising opportunity. Now that our network is truly private, we can promote more effectively to the people who care. In order to do this, at long last, we created FAN memberships!
Fan memberships are designed to increase engagement and attendance. People who attend a few house concerts per year will be able to attend a few house concerts per month. They’ll be able to spread the word more effectively by promoting our whole network to their friends and families.
And house concert hosts will be able to see the track record of these fans. Do they show up after they RSVP? Are they spreading the word in ways that should be rewarded? This is information that can be vital to growing a house concert audience.
We’re excited to finally have a space for people who LOVE house concerts and listening rooms, but don’t have the ability to host concerts in their own spaces.
Fan memberships are free for LRN members who are active hosts and listening rooms. Just login and click the button to create it.
New memberships for fans are only $10/year for a limited time.
LRN Fans get:
- Access to house concerts and private events on our calendars.
- Twice-monthly email with upcoming shows and links.
- A chat space to connect with other fans.
- More features will be announced soon!
Fan memberships will help you discover and attend more shows. You’ll also be part of our effort to change the music culture – let’s inspire people to care about live music!
Each year, we recognize three talented acts for their successful use of the site, and the reviews and recommendations we’ve received from our host community. Touring is a difficult sport, and these acts have demonstrated not just talent, but persistence, kindness, and a willingness to go where the opportunities are. Congrats!
These artists had a great year with us as well!
Rupert Wates, Danika & The Jeb, Daniel Champagne, Dan Frechette & Laurel Thomsen,
Heidi Burson, Jackie Bristow, The Rough & Tumble, and 5j Barrow.
Note: Artists of the Year are not eligible to win for the following three years.
In 2018, we rebuilt our entire platform for you. Here are the improvements we are most happy to share:
- Fan memberships launched to attract a growing audience well-fit for our events.
- Twice-monthly fan newsletter to announce upcoming shows and trigger RSVPs to your events.
- Updated webflyers that are more attractive and mobile friendly.
- Improved concert calendars.
- … and the launch of our brand new RSVP system.
The RSVP system is very basic, and this is your opportunity to give us feedback as we build out more robust features. What would you like to see.. auto-reminders? Wait list options?
We also addressed issues of safety and privacy this year. Our network is now private, and memberships are required for people to see any details about your events. This is also a buffer to allow private concerts to be truly private, and to minimize the chances that PRO organizations will solicit our members for licensing fees. We also believe that the small $10 fee for fan memberships is a good filter to make sure we attract people who care.
What is truly exciting for us is that 90% of the work/investment we made in 2018 was invisible. It was infrastructure investment to create a solid platform for future development. In 2019, we expect a lot of our work to really shine and create noticeable value for you.
Thanks for being part of this.
Each year, we do a study to check what it takes to be successful with an artist membership at Listening Room Network. We always see a direct correlation with the number of inquiries made (effort) and the number of concerts booked (results).
We’ve grouped our acts into cohorts according to their concerts booked, and measured how many inquiries they made throughout the year. Here is what we found.
Acts who get 10+ gigs per year make 12 inquiries per month (on average.)
Acts who get 5-9 gigs per year make 5 inquiries per month.
Acts who get 1-4 gigs per year make 2 inquiries per month.
Acts who get 0 gigs per year make .2 inquiries per month.
Booking is challenging work, and it takes more than just making inquiries to successfully book shows. This study, however, points out that just making 12 inquiries per month (an hour’s worth of work) can lead to 10+ shows, or roughly $5000 worth of income*.
*Although results vary, $500 per show is a fair estimate.